Radhika Chalasani November 16, 2009
Posted by Geoffrey Hiller in Mexico.Tags: Mexico
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Algodones, Mexico, 2005
Radhika Chalasani (b. 1966, USA) spent six years living in Asia where she covered Vietnam as it emerged from years of isolation. Then later moved to Kenya to cover news events including the aftermath of the Rwandan genocide, the beginning of the civil war in Zaire, and famine in Sudan. Radhika’s work from Africa was shown at the Visa Pour l’Image Festival in Perpignan, France and received four awards in the POY competition in the U.S. She received the “Prix Special du Jury” at the Festival International du Scoop et Journalism in Angers, France for her images of famine in Sudan. Her work has also been selected twice for The Communication Arts Photography Annual as well as exhibited in several group shows. Her most recent work on Indian widows, and Hurricane Graffiti received recognition in the 2007 International Photography Awards with ASMP.
About the Photograph:
“I thought this photo perfectly illustrated what was going on in that tiny town with over twenty pharmacies and two hundred dentists. U.S. Customs estimates that one million seniors cross at that point each day in the winter months mostly to buy medications that are cheaper than in the U.S. even with medicare. It’s actually illegal to bring the medications into the U.S. but the customs people let it all go through. I assume because they don’t want to be seen throwing seniors in jail. The irony was that my first day there I was the only one who got called aside for questioning because they’d never seen an American passport with so many stamps and extra pages added in. I was probably the only person not bringing illegal imports in! Most of the seniors go there every year and had nothing but good things to say about the quality of care they received or the quality of medications they purchased.”
Chip Litherland November 13, 2009
Posted by Geoffrey Hiller in United States.Tags: United States
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Fruitville Elementary School, Sarasota, Florida 2005
Chip Litherland (b. 1977, USA) is an award-winning photographer based in Sarasota, Florida. A graduate of the fine arts school at the University of Colorado at Boulder, Chip went on to develop the skills of community photojournalism through internships at the Greeley Tribune, Longmont Daily Times-Call, The Gazette in Colorado Springs, and The Dallas Morning News. He took his current position as a staff photographer at the Sarasota (Fla.) Herald-Tribune seven years ago, where he has developed his vision. That vision, which is fueled by an addiction to color and strong, graphic compositions, has been recognized by Pictures of the Year International, Best of Photojournalism, Atlanta Photojournalism Seminar, and the National Press Photographer’s Association. He is currently a regular contributor to The New York Times, The Wall Street Journal, and ESPN the Magazine.
About the Photograph:
“My main goal is always to find a photo that transcends any assignment. This photo was simply from a local elementary school during a field day of sorts – celebrating the reached goal of the students in a reading program. In the grand scheme of things, not a huge deal to the world, but in the world of these kids it was. As a community photojournalist, I’m often thrown into situations and events over and over (and over) again, year after year, and trying to making something new and telling is always the challenge. I take it as such and try to make the most compelling image I can. As for this image, I was scanning the crowd, when I saw this kid jammed up against the fence. I framed it up tightly to reinforce the claustrophobic feeling the scene already had, leaving the focus on the little things like the body language of the young girl, the row of little legs, the Spider-man shirt, and obviously his face. For me, it sums up elementary school – and the mindset of being trapped at school itself.”
Lance Rosenfield November 11, 2009
Posted by Geoffrey Hiller in United States.Tags: United States
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Austin, Texas
Lance Rosenfield (b. 1972, United States) is a freelance photographer based in Austin, Texas. In addition to shooting editorial and commercial assignments for clients including The New York Times, The Wall Street Journal, and United Way, he concentrates on personal work such as ‘Thirst for Grit’ in which he presents the life and times of modern-day small-town rodeo cowboys in Texas. His work has been exhibited in solo shows in Texas and California and group shows in Texas, Virginia, Connecticut, and New York. Lance was selected to the Eddie Adams Barnstorm Workshop in 2007, was a finalist in the 2009 Emerging Photographer Grant awarded by the Magnum Foundation, and is a 2010 Black & White Magazine Spotlight photographer. He also serves on the Board of Trustees for the Austin Center for Photography and is a founding member of Texas Toast Photo Show.
About the Photograph:
“In their semi-itinerant ways, hauling from one small-town to the next across the wide expanse of Texas, rodeo cowboys find late-night roadside diners for hot meals and a break from the long road. When I returned to Austin in 2006 after eight years in California, I wanted to undertake a personal project in which I could reconnect with my home state of Texas. I stumbled onto the world of rodeo and latched on. The lives and community of the rodeo riders struck me as fascinating in their camaraderie and wayfaring lifestyles. Not only do these men live up to their folk-legend reputations, I found that many of them live in big cities like San Antonio and carry jobs in the construction and oil industries. They identify themselves as rodeo cowboys through and through, and it seems they can live no other way. As 44-year old bronc rider Jeffrey Miller says, My greatest fear right now in life other than not making it to Heaven is having to retire from rodeo. This is an on-going project and I have formed friendships with a number of the characters in the story, namely the two finishing a meal in the photo above.”
Carlos Luján November 9, 2009
Posted by Geoffrey Hiller in France.Tags: France
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Esplanade des Olympiades. Paris, France 2008
Carlos Luján (b.1975, Spain) studied image and sound and later photography at the school of Arts and Crafts of Valencia, Spain. He is currently working and publishing in several Spanish (El País Semanal, XL Semanal, GEO, Yo Dona) and International (Il Sole 24h, Newsweek, Marie Claire, Financial Times Magazine, Corrier International, Le Monde…) newspapers and magazines. He has always been interested in working on social themes, that includes several reportage’s. Carlos has received grants and prizes from: The Culture Ministry of Spain, Injuve prize of Photography, Nuevo Talento Fnac de Fotografía 2004 (Spain). He is member of the Spanish photo collective NOPHOTO and lives in Madrid.
About the Photograph:
“The Asian district in Paris is a work on the religious, cultural and daily life of an important and large part of the Parisian population. This community is composed of Chinese, Laotian, Cambodian, and Vietnamese. They are all well integrated into the western dynamics. However it is impossible not to notice their behaviour and their philosophy of life which have strong roots with their origins. They are not willing to forget their origin nor do they want the future generation to forget them.”
Kainaz Amaria November 6, 2009
Posted by Geoffrey Hiller in United States.Tags: Ohio University, United States
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Jamey, 18 & one month pregnant, shares a smoke with her mother moments before her wedding. Ohio, 2007
Kainaz Amaria (b. 1978, USA & India) is a photojournalist and multimedia producer with a B.A. in international relations from Boston University (2000) and a M.A. in visual communication from Ohio University (2008). After OU she completed photography internships at US News & World Report in Washington D.C. and with the St. Petersburg Times in Florida. Her images and multimedia projects have been recognized by numerous contests including the CPOY, Women in Photojournalism, Atlanta Photojournalism Conference, the NPPA Multimedia Contest, the Society of American Business Editors and Writers and by the South Asian Journalist Association. Kainaz was recently awarded a Fulbright Scholarship to Mumbai, India, where she will be based beginning November 2009.
About the Photograph:
“I made this image while working on my first picture essay during my graduate studies at Ohio University. The essay was a broad look at how the coal mining industry effected Southeastern Ohio. Coal mining once dominated this Appalachian region, however as the resource ran out, corporations left town leaving the surrounding communities in dire economic conditions. While spending time with people in this region, I witnessed the cyclical nature of poverty passed down from one generation to another. Many times it began with teenagers having children with little resources to raise a family. I wanted to somehow capture that in an image. I met Jamey at her high school prom. She and her boyfriend were inseparable on the dance floor, and as they passionately embraced I began making their picture. They later told me that Jamey was pregnant and they were getting married the following weekend.”
Adam Panczuk November 4, 2009
Posted by Geoffrey Hiller in Poland.Tags: Poland
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Rafal, From the Karczeby series
Adam Panczuk (b.1978, Poland). After finishing secondary school, Adam moved to Poznań, where he took up studies at the University of Economics and Academy of Fine Arts in Poznan. He graduated in 2005.and traveled through Asia from the Mid East to Siam taking photos. He reported on rickshaw pullers in India and on brothels in Bangkok. Five years ago he started working on a project about a Polish village which focused on the relationship between human beings and their relation to the earth, the seasons. In 2009 he won first prize at the Grand Press Photo in Poland and was also selected for the short list at the 2009 Sony World Photography Awards. He has also been awarded from the National Geographic Photography Contest.
About the Photograph:
“The photo comes from the Karczeby series. Karczeby in one of the dialects spoken in the east of Poland, which is a mixture of Polish and Belorussian. It is also a vernacular word for people strongly attached to the land they cultivate. A Karczeb is also called a stump with roots still stuck in the earth after the tree has been cut down – allegorical for the problems the various aggressive authorities have had with these people, trying to eradicate or dislocate them. However, they still stand tall on their land. And when a Karczeb farmer’s life comes to an end, he is buried in his soil, later on tilled by his children or grandchildren. In the photo, Rafal, who graduated from Law school at Warsaw University returned to father’s house to help him cultivate his 70-hectares farm.”
Graeme Jennings November 2, 2009
Posted by Geoffrey Hiller in Russia.Tags: Russia
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Kuliga, Russia 2008
Graeme Jennings (b. 1978, New Zealand) grew up in Auckland and completed a course in photography at the Unitec Institute of Technology in 1998. In 2001 he moved to England and freelanced as a news photographer and traveled extensively throughout Eastern Europe. Graeme has photographed the impact of landmines in Bosnia Herzegovina for the NGO Norwegian Peoples Aid. He has also under taken assignments in Azerbaijan, and the southern Russian republics of Chechnya and Ingushetia, where he has photographed internally displaced populations for the Danish Refugee Council. Graeme’s work has appeared in GEO and the British Journal of photography. In 2008 he moved to the States and is currently based in Washington D.C.
About the Photograph:
“I took this photograph in the small village of Kuliga – A former collective farm with a population of twelve. The village is located in the Komi Republic, a region located in the far north of the Russian European plain. The elderly woman in the foreground is on her way home after visiting a friend for tea in a nearby house. Following the dissolution of socialism and the subsequent economic reforms of the 1990’s, the collective farms and state run enterprises that provided a means of employment and prosperity for rural villages were forced to close. The few who have remained are mostly the old and alienated, struggling with a lack of identity and resolve. With an entire ideology suddenly gone, along with the lack of employment opportunities, the social fabric of the Russian village has slowly fallen apart. Of the approximate 150,000 of Russia’s rural villages, over 13,000 have been abandoned altogether as more and more people migrate to the cities.”
Andrea Gjestvang October 30, 2009
Posted by Geoffrey Hiller in Greenland.Tags: Greenland
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Greenland, 2008
Andrea Gjestvang (b. 1981, Norway) is a Norwegian photojournalist based in Berlin. While living in Oslo, she worked for several major Norwegian newspapers and magazines. In Berlin she is a freelance photographer with the Norwegian Newspaper Verdens Gang, and a member of Moment Agency. She spends most of her time travelling around the world on assignments or working on her own projects. Two years ago Andrea made her first expedition to Greenland, and started what has become a long-term project: Greenland – Disappearing Ice Age. About how climate change influences everyday life of village communities in Greenland.
About the Photograph:
“I met these children just after arriving in the little village of Aappilattoq on the west coast of Greenland. To get there, I went with a local fisherman on his snowmobile for three hours. It was in February, and pretty cold. He left me there, and returned back home. I felt really lost, but suddenly these girls came and asked me to follow them. We walked up to a hilltop where they showed me a fantastic view in the sunset. They were playing around. When I saw them making angels in the snow, it was a magic moment, almost a cliché. I think it symbolizes a lot of the loneliness but also future hope I experience among the Greenlanders. They live in the middle of this beautiful but enormous and changing nature environment.”
Morgan Hagar October 28, 2009
Posted by Geoffrey Hiller in United States.Tags: United States
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Blessing of the Animals. Los Angeles, California 2009
Morgan Hagar (b. 1975, United States) is an independent documentary photographer based out of Los Angeles, California. He studied at Brooks Institute of Photography in Santa Barbara, California and was the first to graduate from the renowned Visual Journalism program. While in school he held a staff photographer position at the Santa Barbara News-Press and shortly thereafter became Photo Editor at the Ventura County Reporter. Since then, he has devoted much of time to personal projects, which have garnered awards and international recognition. His work has been shown in various print publications and throughout the web as well as in solo and group exhibitions.
About the Photograph:
For years I have dedicated a great amount of my time and effort traveling throughout the world to cover topics that interest me personally. Many of those topics included the problems of other nations, other peoples. More recently, I have turned my focus inward, to my home, my backyard, to America. If there is great change afoot in America, like so many speak of, I feel now is the perfect time to document this nation and its culture. This image was produced while photographing the “Blessing of the Animals,” a tradition held in downtown Los Angeles by Cardinal Roger Mahony. Here, two girls wait for their chance to dance for the thousands of onlookers that came out that day. There was a small parade, local food and dancing much like any festival held throughout the country. I was not on assignment, I was just curious to learn about a small part of my city’s culture, its history and share that knowledge with others. That, to me, is true documentary photography.
Asim Rafiqui October 26, 2009
Posted by Geoffrey Hiller in India.Tags: India
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Ayodhya, India
Asim Rafiqui (b. 1966, Pakistan) is an independent photographer based in Stockholm, Sweden. He has been working professionally since 2003 and began by focusing on stories from Afghanistan and Pakistan while also pursuing personal projects that focused on issues related to the aftermath of conflict. This focus has led him to produce work from Iraqi Kurdistan, Haiti, Israel and the tribal areas of Pakistan. He has also regularly shot assignments for magazines like National Geographic (France), Stern (Germany), The Wall Street Journal Magazine, Newsweek, and Time (USA, Asia). He authors the blog site called The Spinning Head, and also the essays that accompany his later India work at The Idea of India.
Editors Note: Asim was the 2009 grant recipient of the Aftermath Project, a yearly grant competition open to working photographers worldwide covering the aftermath of conflict. The deadline for the 2010 cycle will be November 2nd. Check the web site for details.
About the Photograph:
“The project, called The Idea of India, is a personal attempt to, as Walter Benjamin once said to articulate the past not to “…recognize it ‘the way it really was’ [but]…to seize hold of a memory as it flashes up at a moment of danger.” I spent over a month in Ayodhya and this photograph was taken on the famous Ram Ki Pairi - a series of steps that lead to now unused bathing pools. Sitting outside a shop selling Hindu literature this mahant was subjected to the shrill rhetoric of a Hindu revisionist who owned the stall. At a moment when exasperation, perhaps despondency, seemed to take over his and my soul, I clicked the shutter.”

