Alessandro Gandolfi January 9, 2013Posted by Geoffrey Hiller in Gaza, Israel, Palestine.
Tags: Gaza, Israel, Palestine
Khan Yunes, Gaza Strip, 2011
Alessandro Gandolfi (b.1970, Italy) is co-founder of Parallelozero Photo Agency (Milan) and his works have appeared in several Italian, as well as international magazines including: National Geographic Italia, L’Espresso, Die Zeit, Mare, The Sunday Times Magazine and Le Monde. His photoraphs have been exhibited in the latest four shows organized in Rome by National Geographic. A philosophy graduate, Alessandro attended the IFG– School of Journalism in Urbino. Before working as a photojournalist, he contributed as a news reporter for La Repubblica, both in Milan and Rome. He won National Geographic’s “Best Edit Award” twice (in 2010 and 2011) with two reportages published in the Italian edition of the American magazine.
About the Photograph:
“Mohammed Al Jakhbeer is 23 and lives in Khan Yunes, in the Gaza Strip. Mohammed and his friend Abdallah Enshasi are both children of refugees; they do occasional jobs and are among only a few who practice parkour in Gaza. When I found out, I tried to contact them and arranged to meet at Abdallah’s house. While his mother offered us a cup of tea, they explained to me that parkour is fun and makes them feel free, as well as being good exercise. They also told me, however, that old people in Khan Yunes do not always appreciate this strange sport and that many women are scared when they see them jump from one window to the next. ‘Let’s go, follow us, we’ll take you to our new training ground’, Mohammed told me while taking his rucksack. We walked together to the village suburbs. We arrived at a fence beyond which I could see the large cemetery of Khan Yunes. ‘Every day we train here”’said Abdallah while starting to wrap his hands with cotton bandages. I followed them to the cemetery to watch them, and the jumps were truly spectacular. They climbed two metre high walls and ran above them keeping their balance without safety nets or mattresses. They jumped while doing twirls and somersaults. ‘Here among graves and tombs we have found our true gym’ said Mohammed, and our friends often come here to watch what we do or to try and learn. Are we disrespectful because we do it in a cemetery? No, I don’t think so. Nobody has felt offended until now…”
Adam Hinton April 18, 2011Posted by Geoffrey Hiller in Israel.
Tags: Gaza, Israel
Gaza City, Israel 2010
Adam Hinton (b. 1965, England) began his photographic career at the age of 12 when his father bought him an SLR camera. Studying photojournalism in the 80′s enabled him to articulate his feelings, beliefs and values into a visual medium that he could communicate to others. After leaving college Adam returned to London shooting for newspapers and magazines such as The Independent magazine, The Daily and Sunday Telegraph and The Observer. From the mid 1990′s Adam has worked within the advertising sector on Charity, Public Service and corporate campaign’s. Throughout his career he has produced personally funded projects and is currently working on a long term project on the growth of urban slum’s in developing countries. He has been awarded numerous awards and exhibited internationally.
About the Photograph:
“Since the Israeli assault on Gaza in January 2010 I decided that I needed to return there to record the effects of the ongoing attrition that the people of Gaza have been enduring. I tried crossing from Egypt a month later but with no luck. Then in October, The Hoping Foundation asked me to go there to document a school project they had been working on with the UNRWA. What greeted me was shocking, the place was devastated and was economically shut down. This image was taken in the family home of Jamil Mohamad Tulba and Mona Al Ashwah. There are 11 family members. The house is 60 years old and was built by UNRWA in 1950, two years after the Arab-Israeli war in 1948. The house consists of two rooms which both suffer from damp and the only income they receive is from UNRWA. These are the conditions of many in Gaza.”
Tanya Habjouqa April 23, 2010Posted by Geoffrey Hiller in Gaza.
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From the series “Women in Gaza”, 2008
Tanya Habjouqa (b. 1975, Jordon) received her masters in Global Media and Middle Eastern Politics from the University of London SOAS. She spent the last seven years documenting for media and NGOs inside Iraq, Darfur, Lebanon, Israel and the Palestinian territory. Currently based between Jerusalem and Amman, she is working on personal projects exploring socio-political dynamics and subcultures of the Levant. Tanya received the 2007 Clarion Award for Press Photography for her coverage of the Israel-Hezbollah war for Bloomberg media and the 2006 Global Health Council award for humanitarian photography with her coverage of Darfur. She has been published in the Washington Post, New York Times, Boston Globe, Focus, Jerusalem Report and others.
About the Photograph:
“In places like Gaza where the devastation is almost unimaginable, I am fascinated by the community spirit and elegance that prevails. Women are continuing to care for their families, strive for education, and pursue careers. This photo was made in the home of Dr. Jamal Al-Shareef, a literature and linguistics professor of Al Azhar university. I nick named him the Dead Poets Society of Gaza as his classes are very popular with the female students of the campus. He holds conversational classes twice a week that are jam packed, and chooses topics like “should women be allowed to go educate in west on their own” or ” why do you choose the fashion you do? Is fashion for you or society” and pushes them to think. Sometimes when they fall into speaking Arabic they become so passionate and he guides them back to English. The girls tell me that this is the only space they have to be creative publicly in an increasingly conservative and difficult Gaza.”
Holly Pickett March 6, 2009Posted by Geoffrey Hiller in Gaza.
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Paramedic, Gaza City, 2009
Holly Pickett (b. 1977, U.S.A.) grew up in Butte, Montana. She earned degrees in journalism and history from the University of Montana in Missoula, and was a staff photographer at The Spokesman-Review in Spokane, Wash., from 2002 – 2007, focusing much of her work on stories about the lives of refugees in the Spokane area. She left the newspaper and moved to Cairo, Egypt, in early 2008 to pursue a freelance career. Holly is drawn to stories about the human cost of war, refugees and forced migration, and women’s issues. Her work has appeared in Newsweek, Stern, Time.com, London Times, Los Angeles Times, Miami Herald, USA Today, Christian Science Monitor and Sueddeutsche Zeitung.
About the Photograph:
“A paramedic waits in the doorway of a Palestinian ambulance next to her patient, a 15-year-old boy who was injured when Israeli bombs hit the mosque where he was praying in Gaza City, Jan. 5, 2009. A convoy of ambulances had just crossed Gaza’s border with Egypt at Rafah just after the end of a daily 3-hour cease-fire, agreed upon to allow the transfer of critically wounded Palestinian patients out and to allow aid and medical supplies into the besieged territory. However, the so-called “humanitarian corridor” received its share of missiles. Eleven paramedics and one doctor had been “killed in action,” that is, while driving clearly marked, uniformed ambulances to hospitals or to the border to try to save a patient. The convoy brought two Norwegian doctors who had been working at Shifa hospital alongside the Gazan doctors and nurses for the past 11 days. Dr. Mads Gilbert called the Palestinian doctors heroes and said their homes had been bombed and some members of their families had been killed and they still stayed at the hospital working around the clock, without proper equipment and sometimes without electricity.”