Carlotta Cardana May 22, 2014Posted by Geoffrey Hiller in United States.
Tags: United States
Julian and his son Elijah, Fort Yates, North Dakota, 2013
Carlotta Cardana (b. 1981, Italy) is a portrait and documentary photographer based in London. After obtaining a degree in theater and performing arts and a photography diploma, she lived in Argentina and Mexico City. In 2013 she was named “Discovery of the Year” at the Lucie Awards and was shortlisted for the 2014 Sony World Photography Awards and Lens Culture Exposure Award. Her photographs has been exhibited at Photo L.A., in the New York Photo Awards exhibition, the Portrait Salon in London and at the Royal Photographic Society. Cararlotta’s Mod Couples series has been featured in The Guardian Weekend, D Repubblica and Rolling Stone. Parallel to her photographic practice, she works as music video director and cinematographer in short films and commissioned social documentaries.
About the Photograph:
“This image shows Julian, 27, a Native American from the Sioux tribe, holding his one-year-old son Elijah. Shortly after the baby was born, Elijah’s mother left and Julian is now raising Elijah on his own. Long hair is a matter of pride among Native Americans. Julian has never cut his son’s hair and says that Elijah will not be allowed to do so until he turns 13. The photograph is part of my most recent personal project, which intends to explore the role of traditional identity in the daily struggle of Native Americans living on reservations. Having their cultural practices and language almost vanished by the various attempts at assimilation, the tribal peoples suffer a sort of forced segregation at the very bottom of American society. On every indicator, from the 88% unemployment to the worlds second lowest life expectancy, the reservations stand as Third World islands in the biggest economy on earth. This project, however, would like to depart from the gritty depiction of these issues common in other works on the subject. By portraying American Indians in a positive light and exploring how they rediscover and use pride as a tool for survival and advancement.”