Sarker Protick June 4, 2015Posted by Geoffrey Hiller in Bangladesh.
John and Prova. Dhaka, Bangladesh 2012
Sarker Portick (b.1986, Bangladesh) discovered photography finished his bachelor’s degree and he enrolled at Pathshala. His photographs have been published in The New York Times, GEO , The New Yorker, National Geographic, Die Zeit and Wired among others. In 2012, Sarker won the Prix Mark Grosset Internationales De Photographie and the World Bank Art Program. In 2014, he was named in British Journal Of Photography’s annual Ones to Watch. The same year, Sarker was selected for the World Press Photo Joop Swart Masterclass. In 2015, he went on to win a World Press Photo award for his story What Remains and selected for PDN’s 30. His work has been exhibited at Chobi Mela International Photography Festival, Noorderlicht Photo Festival and the Photovisa Festival,
About the Photograph:
“It was in the afternoon. I was sitting on my grandpa’s couch. The door was slightly open and I saw light coming through, between the white door and white walls. All of a sudden it all started making sense. I could relate what I was seeing with what I felt. John and Prova, my grandparents.”
“While growing up, I found much love and care from them. They were young and strong. As time went by it shaped everything in it’s own way. Bodies took different forms and relations went distant. Grandma’s hair turned gray, the walls started peeling off and the objects were all that remained. Everything was contained into one single room. They always loved the fact that I took pictures of them, because then I spend more time with them and they didn’t feel lonely anymore. After Prova passed away, I try to visit more so John can talk. He tells me stories of their early life, and how they met. There are so many stories. Here life is silent, Everything is suspended. A wait for something that I don’t completely understand
“John and Prova were married for more than 50 years. In their late years, they had to sleep separate because Prova required a special bed for her back. The two beds occupied most of the space in the room along with other furniture. For this reason, it was not possible for them to sit close together. I was happy to take this photograph because it brought them close together after a long time. They touched, kissed and held each other and I was able to witness that beautiful moment. Long after grandma passed away I realized this is the only photograph of my Grand Parents together from their last years. Now it hangs in the same room where only John sleeps.”